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Luc Tuymans is one of today's most widely admired painters, a

continuation of the great tradition of Northern European painting

and an enduring influence on younger and emerging artists. As a

European child of the 1950s, his relationship to painting is

inevitably structured by television, cinema and by the lingering

effects of World War II; more recent historical preoccupations have

included the dramatic turn of world events post-9/11. Tuymans

combines a muted palette with deteriorated surface effect and a

singular use of cropping, close-up and sequencing--perfect devices

with which to undertake his investigation of the pathological, the

banal and the conspiratorial. Published in conjunction with the

artist's first full-scale American survey, this is without question

the authoritative publication on Tuymans. It features approximately

75 key works from 1978 to the present, and is accompanied by essays

analyzing the painter's main concerns, with particular attention

paid to his working process and his adaptation of source materials.

Helen Molesworth examines themes of sinister banality, Joseph Leo

Koerner writes on iconophobia and iconophilia, Ralph Rugoff

considers the nature of visual experience in light of Tuymans'

recent work, and Bill Horrigan examines cinematic sources. This

book is not only the most comprehensive survey of Tuymans' career

to date, but also the most thorough chronology of his artistic

development.

Born in Mortsel, Belgium, in 1958, Luc Tuymans

first exhibited his paintings in 1985, at Palais des Thermes in

Ostend. His first U.S. exhibition came ten years later, at The

Renaissance Society in Chicago. He has also worked in film and

printmaking.

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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials. Helen Molesworth examines themes of sinister banality, Joseph Leo Koerner writes on iconophobia and iconophilia, Ralph Rugoff considers the nature of visual experience in light of Tuymans' recent work, and Bill Horrigan examines cinematic sources. This book is not only the most comprehensive survey of Tuymans' career to date, but also the most thorough chronology of his artistic development.

Born in Mortsel, Belgium, in 1958, Luc Tuymans first exhibited his paintings in 1985, at Palais des Thermes in Ostend. His first U.S. exhibition came ten years later, at The Renaissance Society in Chicago. He has also worked in film and printmaking.